Recollections on two shows and how the Wild West began. . .

Originally published back on December 10th, 2005. There has been ten years of various projects at the Wild West. Some successful, some not. Through the ups and downs of the Wild West, the Western Front has continued and now has 122 posts to its name! Tonight I share again two of those early posts that point to where this largely began. The first focusing on a Thin Lizzy show, which took place way back in December of 1980 in South Jersey. The second post, which we will also republish, focuses on a second show. That show also took place in the December of 1980 - the following week, at the same venue and featured the band Gillan. 

Hope you will consider and enjoy them both. . .

RGS

Twenty-five years ago this December 12th I was lucky enough to see a band called Gillan. It was a show that has haunted me ever since. Gillan was the project of Ian Gillan, who was on vocals-the man whose resume included playing Jesus in Jesus Christ Superstar, who did the vocals on songs such as Child of Time, Highway Star, and of course Smoke On The Water; those with another band - Deep Purple.

I had little idea what to expect from Gillan. Gillan the man had left Deep Purple and then went on to form the Ian Gillan Band, which was a jazzy artsy project, a far stretch from songs such as Space Truckin and Fireball. And being a 17 year old rocker, I had little use for the project. He had an amazing voice and I did want to see, however, if lightning does strike twice at Emerald City, the venue he was playing.

You see the week before, on Saturday, December 6th at the same club, Emerald City, across the river from Philadelphia in Cherry Hill, Thin Lizzy had taken the stage. Thin Lizzy was and another band that I had idolized. And that Saturday night at Emerald City I had the pleasure of seeing, five or ten feet from the stage, Phil Lynott and Scott Gorham. Snowy White, who was at that time the second guitar, was on the other side of the stage.

I recall how Lynott’s bass with a shiny metallic pickguard that just reflected the spotlights that were on Phil and would blind us in the audience as he moved around the stage. I am sitting here as I write trying to recall if they had their keyboardist back then, Darren Wharton. I think he was in fact in the back, kind of hidden. Brian Downey was on drums. It was an amazing show complete with some Christmas Carols Phil had us singing at the end. Basically it was a Live and Dangerous type set with Killers on the Loose, Looking for an Alibi, Dear Miss Lonely Hearts, and Black Rose thrown in for good measure.

Add to this my personal history. Here I was seventeen, from a quiet town in central Jersey. This was a rock’n’roll club in the city, alright, outside of Philadelphia with Thin Lizzy on their marquee. And I was a Lizzy fanatic. Back then everybody else was hooked on AC/DC. Bon Scott was dead and Back in Black was out. It was the album of 1980, but I knew better. Chinatown was so much better! The challenge for myself in seeing Lizzy was that the venue was a club. The drinking age back then was 19 but I was 17. Out of the three of us intent on going, I was the one who could not find an ID. And the club did card everybody.

I still went down to the show with the two other guys, but I was sweating it. Lizzy was my band. I did not want to be sitting out in the car, hanging out in the Parking Lot. I suppose there is always the stage door, but I wanted to see them. I was saved when one of my buddies went in and then came back out to the parking lot for something, gave me his ID and got back inside pointing out he had already been inside. I waited a few minutes and then with an ID and a ticket in hand was in. I was in, drinking a few Michelobs, waiting for Lizzy, and suffering a lame punk band that was warming up.

So when I saw that Gillan was playing the next weekend, the whole event, the venue, the Lizzy show, finding the damn place, getting into the place, left me with the question: How do I get there for Gillan. Actually, it was not a question, but the conclusion that I would have to come back for Gillan.

To be continued. . .

One update:
A quick search of the web produced these two links:
http://www.thinlizzyguide.com/tours/year/1980.htm
http://www.thinlizzyguide.com/tours/dates/1980/801206.htm

Subscribe to The Wild West Blog by Email

A Shout Out to Two Bands and a Friend and Musician. . .

I just wanted to give a nod to two bands that I have been following over the years. Both recently had some success. I am talking bout KillCode and Jane Lee Hooker and their recent signings with a record label or agency.

I first  saw Jane Lee Hooker back in 2011. They are basically playing a lot of classic blues in a very loud fashion. they have been at it for four years now. They just released their first album back in September, which was very cool. The record is good but their shows throughout this time have just been amazing. They just have the musicianship of the band at large, the dual guitars of Hightop and T-Bone, and Dana Danger on vocals, who is simply one of the most expressive singers I have seen or heard. Plus all those blues classics to work with. . .




So it was very cool to hear that they have signed with Ruf Records and that they will record their first album for the label in 2016. Further Ruf will be working with them on additional tours both in and outside the US. All very cool!

Killcode has likewise has signed with Coallier Entertainment. Unlike Jane Lee Hooker though, Killcode is a serious metal / rock act with a dash of southern hospitality. I remember seeing them in like 2009, and playing their first EP for my son, a serious metal head. It must have been as the Haunt in Yonkers was winding down. Again they do know how to command a stage. And Killcode, like JLH, features some amazing guitar work coming from Chaz and DC Gonzales. And they too have a solid frontman and singer in Tom Morrisey.



A bit about Coallier Entertainment. I have run into them a few times over the years. My fav of these was when they brought Thin Lizzy to the US in like 2003 or 2004. This was back when John Sykes was still in the band along with Scott Gorham. I grabbed my son, Phil, and we checked out the boys up at the Chance Theater in Poughkeepsie. I still remember Scott Gorham smiling at the fact that there was a kid and his dad rocking out to Lizzy. At least that was my read of it. . . That was a cool night and Phil and I both enjoyed. And it was very sweet that Lizzy popped up again the next week in Yonkers in some venue I never heard of before or after. It was down in the Irish part of town. Both were very good nights.

Coalier of course has routinely worked with Dee Snider, Twisted Sister, and the related group. . . Bent Brother. They have even signed Guy McCoy Torme (GMT), though they have yet to get that act over to the US. They work with a lot of established acts, which makes this more interesting in that KillCode is a newer act or band for them. Further, we know Killcode here in NYC, but audiences elsewhere not really, not yet. So Coalier has some work to do, and I cannot think of a better act for Coalier to work with, considering their focus on rock and metal.

I went back and forth about posting this. I just rarely see acts get signed by any labels today. Before this I kind of knew that the Sex Slaves were signed with Radical Records, and of course there have been a handful of acts that have come from NYC who I did not know about until they were signed. It just seems very rare these days that bands sign with a label and it perhaps is not celebrated like it was. I recall venues and others posting full-page ads in the Aquarian when Twister Sister was signed way back in the day. It is an achievement to sign a contract relating to one's artistic achievements and future works. It should be recognized.

Lastly, I just wanted to wish Karen Curios a Happy Birthday. I believe it is today. Great singer and songwriter, who if you have the chance to see, you should check out. Interestingly, she posted yesterday that she has finally arrived at the conclusion that her latest album "doesn't suck at all. . ." To which I respond, it is about time. A bit poppy - perhaps, sucky - no. I do not believe she has signed with a label, but still I will happily go see her perform any day anytime. I do wish I could get an mp3 of her current band, the Glorious Revolution doing her tune, the Rising Sun.

Subscribe to The Wild West Blog by Email